Author Richard F. Whalen sends word that the Oxfordian edition of Shakespeare’s Othello edited by Whalen and Ren Draya, PhD is now available from Llumina Press. About his work on this Othello, Whalen said:
The cumulative effect of the clear correspondences between Othello and Oxford’s documented life experience is really extraordinary. There’s no better way to get a deep understanding of a Shakespeare play than to have to read everything written about it and then organize commentary on it. It was a great adventure working with Ren on this edition.
Ren Draya said, “We look forward to hearing responses from readers and hope that our Oxfordian Othello opens new avenues of investigation.” Draya has allowed SOS News Online to publish her remarks on editing Othello that she originally delivered as part of her presentation,“The Dramatist’s Knowledge of Music as Shown in Othello” at the Shakespeare Fellowship and Shakespeare Oxford Society 2009 joint annual conference in Houston, Texas: please see “Editing Othello” by Ren Draya.
Announcing Publication of the First Oxfordian Edition of Othello
The first Oxfordian edition of Othello, edited by Ren Draya, professor of British and American literature at Blackburn College, and Richard F. Whalen, co-general editor of the Oxfordian Shakespeare Series, has been released by the publisher, Horatio Editions – Llumina Press.
Informed by the view that the seventeenth Earl of Oxford wrote the Shakespeare plays, this edition of Othello has drawn on the extensive research and writings of Oxfordians and Stratfordians to describe the many correspondences between the play and the life of Oxford. Several of the most significant correspondences will be new to many Oxfordians.
In the introduction to the play and generous line notes, the editors examine how the play reflects the dramatist’s knowledge of the aristocracy, court life, the military, music, the Italian language, and the government and topography of Venice and Cyprus. A major influence on the play was commedia dell’arte, at its height in Venice when Oxford was there but unknown in England; another strong influence was Oxford’s concern for his reputation and abhorrence of the specter of cuckoldry.
In the appendix are articles on the significance of the music in Othello by Draya, on the dramatist’s unusual knowledge of the port of Famagusta on Cyprus by Whalen, and on Stratfordian scholars’ recognition of the dramatist’s in-depth knowledge of military command.
The general editors of the Oxfordian Shakespeare Series, published by Horatio Editions—Llumina Press, are Whalen and Daniel L. Wright of Concordia University in Portland, Oregon. The first in the series was Macbeth, edited by Whalen.
Forthcoming in the series, and their editors, are Antony and Cleopatra, Michael Delahoyde of Washington State University; Hamlet, Jack Shuttleworth, English department chair (ret.), U.S. Air Force Academy; The Tempest, Roger Stritmatter of Coppin State University, with Lynne Kositsky; Henry the Fifth, Kathy R. Binns-Dray, Lee University; King John, Daniel L. Wright, Concordia University, Portland, Oregon; Love’s Labor’s Lost, Felicia Londre, University of Missouri-Kansas City; and Much Ado About Nothing, Anne Pluto, Leslie University.
The Oxfordian Othello is $18.95 from Llumina Press at 866-229-9244 or order online from Llumina:
Oxfordian Shakespeare Series: Macbeth by Richard F. Whalen
Oxfordian Shakespeare Series: Othello by Richard F. Whalen and Ren Dreya